Finding it a bit hard to connect to a certain character in your story? Here are 7 ways to get over that hump →
Start with the little things Every person has their own quirks, and so should your characters. A character might fall flat in your vision because of an absence of these small unique traits. Lean into this, think of habits they fall to when they get emotional, or weird little obsessions they linger on.
Give them a small trait of your own Don’t misinterpret this advice as writing yourself into the story! What I mean by this is to pick a small trait or a habit of your own to add a bit of yourself into a character you’re finding it difficult to connect with. This is a great trick to use if you’re writing a type of personality that differs from your own, and helps layer out character too!
Figure out what they want most Knowing a character's motivation - or what it is that actually drives them forward in the story, is one of the key things you should know about any character. If you’re finding it hard to connect to one of them, think about whether you’ve given them clear and tangible motivation within your story world.
And then figure out why they can’t get that Once you know what your character wants, what their goal might be, think of a reason why they can’t get it, or what that process of achieving the goal might be difficult for them. Usually, this works great if it comes from within - meaning that your character carries a flaw that stops them from acting on their goal.
Don’t underestimate kindness Flawed and morally gray characters are great. But don’t underestimate the power of a kind, positive trait. It’s what makes readers fall in love, and what will ultimately help you fall in love with the character, too. We don’t fall in love with a character’s snark, but with the emotions they hide behind the snark.
Give yourself time to get to know them Sometimes you don’t immediately click with all your characters, and that’s okay. That happens. It takes time to get to know what makes them tick, sometimes it takes writing them in a scene, then rewriting them in a different way in the same scene to feel out what’s most natural to them. If a character feels distant to you, let yourself explore a different approach to how you write them.
Don’t rush into who they are It can be really fun to keep a mystery about someone. And sometimes that’s all it takes for readers to be intrigued and feel connected to a character. This can work really well for you as the author, too. Don’t rush into writing down everything about your character in the first few chapters, keep a few details for later and work up to them.
requested by: anonymous request: How exactly can I describe a characters ethnicity/skin color casually, without it sounding like a specific scene that just exists to describe the skin color? I hope this makes sense lmao… I just want to write a scene where I casually mention someone’s ethnicity or skin color
description of appearance: No matter if skin colour or hairstyle or clothes, a text is more dynamic if you don't dedicate an entire scene/paragraph to it but rather sprinkle the necessary information in here and there. However, there can be instances where it's conducive to the plot to put that entire paragraph (e.g. introducing a new important character with backstory). Otherwise, I'd say try to keep it short and put it where it serves the plot.
ways to incorporate...
... a description of appearance:
when a character makes their first entrance (describe everyone's colouring - POCs' and white characters')
the impression their complexion makes together with their clothes: "the bright yellow of their shirt complemented their dark skin"
the way their colouring interacts with lighting: "the grey weather took away the rosy hue of their fair skin"
when appearances create a contrast: "I immediately noticed them because they were the only other black person"
... ethnicity:
let the characters mention it where it makes sense
regarding the narrator you've chosen for your story, it can also be blended into an inner monologue
include parts of their culture: traditions, terms, family, etc. (this also allows to bring up their ethnicity repeatedly over the story and not only at the beginning)
show their struggles: are they affected by social struggles? then show it!
words to use to describe skin colour:
... basic colour descriptions:
brown
black
beige
white
pink
... more specific colours (try sticking to familiar/common words that can be easily visualised):
amber
bronze
copper
gold
ochre
terracotta
sepia
sienna
porcelain
tan
... prefixes or modifiers (can be easily combined with basic colours):
dark
rich
warm
deep
fair
faint
light
cool
pale
... undertones (pre-dominant colours underneath the skin - often warm or cool, sometimes also neutral and olive):
yellow
orange
coral
golden
silver
rose
pink
red
blue
... avoid food analogies as it's often received as offending, fetishising, and/or objectifying.
That's all I can provide as of now but I'm sure you guys have aspects to contribute. I'm very interested to hear your thoughts, so please feel free to add to this post whatever you like to/can share <3
And for more information, maybe also check out @writingwithcolor for more specialised posts on the topic <3
Chirped - their voice is high, cheerful, energetic, sweet, you likely want to pinch their cheeks
With feeling - that feeling isn’t named, but given the context of the conversation, you don’t need specifics, this person is feeling multiple things and you can hear the multitude in their voice
Blinked - people blink all the time, but you just know this one was caused by being taken aback and those eyelids are heavy with words all by themselves
Indignant - not just annoyed, not just upset, not just “with feeling”, the person is offended and retaliating on behalf of their own pride or another’s and it is likely adorable
Fondly - affectionately, but with nostalgia and a little bit of an ache present, this is exactly what you’d expect from them and you can’t help loving them for it
Blandly - there’s inflection here, but it’s so slight and almost calculated in how slight it is that the only intention can be that they’re trying to make oatmeal but with words
Far too cheerfully - because they have no business being so, not when you’re suffering, and even if they aren’t grinning hard enough to split their face open, that’s okay, you’ll do it for them, the bastard
Deadpanned - a classic, a novelty, too spicy to be bland but with somehow less inflection, it’s weird but you know exactly what they mean
Stopped - you know, in the middle of a thought, sometimes because they’re figuring out what they want to say, but often just because they’re a little bit incredulous over whatever the heck you’ve just done and maybe there are no words to be said
Mildly - like, they definitely could be responding in a more fervent way, but they’re just kinda chill and it does nothing to defuse your temper
Groused - like grumbled, but instead of “grumpy mumbled” it’s the whole demeanor and not just indecipherable curses under their breath
Breathed - because you didn’t want to write gasped, because that sounds stupid, but the character is suddenly short of breath for any number of reasons and the words are coming out like mist on a summer morning, there but hard to see
Interrupted - because it’s dumb, like, if one character was talking and then another one starts talking, clearly they’re interrupting - a more appropriate use is when character A wasn’t saying anything and character B is interrupting the moment or activity, making this word choice possible
Faltered - you can’t hear that a character’s voice is becoming unsteady or trailing off unless you’re told and any of the previous three examples are preferable to ellipses (see post)
Desperately - when their shoulders are hunched over and their eyes are too wide, there are tears clinging to the back of their throat just waiting to make an appearance
Steadily - like, this is a time to panic, or panicking would make sense, but we’re not going to panic because we need to stay focused, and our voice is not going to waver or give anything away, nope
Whispered - because “said softly” is not the same, “breathed out” is not the same, “mumbled” is not the same, a whisper is a whisper, that’s what it is, okay?
Firmly - not sternly, just also not budging on its stance
Protested - maybe you conveyed the protesting in the words you just said, but when you also say the word it edges them properly, and you really know that sentence started with a “but” even if it didn’t
Flatly - not the same as blandly, which is without inflection to a neutral extent, but flatly, which is without inflection but in an arrow-shaped way, like, we’re not rolling down a hill, just over to your feet and staring at you
fifty ways to get to know your characters (and how to write them)
what is their name? and how does this fit their character?
last name?
do they have a middle name?
name a song that describes them
what are their pronouns?
gender and sexuality?
do they like someone romantically?
list five words to describe them
what about five dialogue tags to use consistently on this character?
what is their motivation?
do they consider themselves a good person?
colour that describes their personality
MBTI type
enneagram type
character they're based on
person they would bring down whilst dying
person they would kill if they had the chance
character they would get along with if they were in the same universe
character they would hate if they were in the same universe
artist they would listen to
artist they would hate
give them a theme song
make them a playlist! (see my other post for songs to put on that playlist, here)
make them a mood board
assign them an aesthetic
what are their strengths?
what about fatal weaknesses?
the one person who can convince them to do something they're stubbornly against
who would they kill for?
what tropes do they fall into?
fatal weakness (food edition)
book they would definitely read
language besides their mother tongue they would (have) learned
murder accomplice
thing that makes them go weak at the knees
most obscure thing they HATE
while we're there, biggest phobia
are they (would they be) a book or movie person?
are they a romantic
childhood experience that defines an aspect of their life
what is their age?
birth sign? / zodiac?
what constellation would they be
name a famous myth could they would have been the main character
old or new soul
assign them a smell
assign them a smell they like
can they swim?
street smarts or brain smarts?
what is this character's purpose to the plot?
too many stories about turning yourself into a monster as a metaphor for pretending to be something you aren't and losing yourself in the process. not enough stories about turning yourself into a monster as a metaphor for choosing to openly embrace yourself even if it's strange to other people
if you’re white and wanna write a poc character and feel awkward about it i implore you to ignore any twitblr stuff treating it as a massive ethical burden and instead come in more with the same mindset you’d have if you wanted to write about idk firefighters but didn’t know anything about firefighters so you do... research. Like fuck off with the weird kinda creepy calls for spiritual introspection you’re not writing about god damn space aliens you’re writing about humans and if you think you need more perspective of different life experiences just read?