Embarrass your protagonist. Make them seem weak and vulnerable in some way.
Shoot someone. That always takes the reader by surprise.
In relation, kidnap someone. Or, rather, make it seem to your protagonist like someone has been kidnapped.
Have one of your side characters disappear or become unavailable for some reason. This will frustrate your protagonist.
Have someone kiss the wrong girl, boy, or person, especially if you’ve been setting up a romance angle. It’s annoying.
If this story involves parents, have them argue. Push the threat of divorce, even if you know it won’t ever happen. It’ll make your readers nervous.
Have someone frame your protagonist for a crime they didn’t commit. This could range from a dispute to a minor crime to a full-blown felony.
If this is a fantasy story involving magic or witchcraft, create a terrible accident that’s a direct result of their spell-casting.
Injure your protagonist in some way, or push them into a treacherous scenario where they might not make it out alive.
Have two side characters who are both close to the protagonist get into a literal fist-fight. This creates tension for the reader, especially if these characters are well-developed, because they won’t know who to root for.
Make your protagonist get lost somewhere (at night in the middle of town, in the woods, in someone else’s house, etc.)
Involve a murder. It can be as in-depth and as important as you want it to be.
Introduce a new character that seems to prey on your protagonist’s flaws and bring them out to light.
If it’s in-character, have one of your characters get drunk or take drugs. Show the fallout of that decision through your protagonist.
Spread a rumor about your protagonist.
If your protagonist is in high-school, create drama in the school atmosphere. A death of a student, even if your protagonist didn’t know them personally, changes the vibe.
If your story involves children, have one of them do something dangerous (touch a hot stove, run out into the road, etc.) and show how the protagonist responds to this, even if the child isn’t related to them.
In a fantasy story, toss out the idea of a rebellion or war between clans or villages (or whatever units you are working with).
Add a scenario where your protagonist has to make a choice. We all have watched movies where we have screamed don’t go in there! at the top of our lungs at the main character. Make them go in there.
Have your protagonist find something, even if they don’t understand the importance of it yet. A key, a document, an old stuffed animal, etc.
Foreshadow later events in some way. (Need help? Ask me!)
Have your protagonist get involved in some sort of verbal altercation with someone else, even if they weren’t the one who started it.
Let your protagonist get sick. No, but really, this happens in real life all the time and it’s rarely ever talked about in literature, unless it’s at its extremes. It could range from a common cold to pneumonia. Maybe they end up in the hospital because of it. Maybe they are unable to do that one thing (whatever that may be) because of it.
Have someone unexpected knock on your protagonist’s door.
Introduce a character that takes immediate interest in your protagonist’s past, which might trigger a flashback.
Have your protagonist try to hide something from someone else and fail.
Formulate some sort of argument or dispute between your protagonist and their love interest to push them apart.
Have your protagonist lose something of great value in their house and show their struggle to find it. This will frustrate the reader just as much as the protagonist.
Create a situation where your protagonist needs to sneak out in the middle of the night for some reason.
Prevent your character from getting home or to an important destination in some way (a car accident, a bad storm, flat tire, running out of gas, etc.)
Me, watching Merlin for the millionth time: I sure do wish nothing bad happens this time around
this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about
THE QUOTES 😭😭😭
Y’know that one scene in A Servant of Two Masters where Merlin tells Leon he’s off to kill the king and Leon just laughs
What if Merlin realises how much power that actually has and just starts telling Leon the truth instead of coming up with excuses
Like
Leon: Hey Merlin, where are you off to?
Merlin: Just going to fight a gryphon!
Leon: ha! Have fun!
Or
Leon: Merlin, why do you have highly illegal poison?
Merlin: it’s only poison mixed with alcohol, otherwise it’s just great sidhe repellent!
Leon, chuckling fondly: Alright, as you were then.
Or
Leon: Merlin! Where were you?
Merlin: nowhere interesting, just practicing sorcery.
And Leon believes he’s just keeping the gag going every time.
Which also makes the poetry scene so much better because Leon is used to Merlin being funny, never giving proper excuses and joking about high treason crimes.
So when Merlin is so flustered that he blurts out poetry, the only possible explanation can be that something Merthur is happening and Leon wants no part in it.
It also got me thinking about post Camlan when Merlin and Arthur get back to Camelot (I’m in denial, shut up) when Leon finds out Merlin has magic.
He waits at the gates for Merlin with his arms folded looking like a disappointed mother, then Merlin stops and realises every one of his “excuses” came back to bite him in the arse.
Until Leon has to explain to Arthur that he’s known Merlin is a sorcerer for a while now, but always thought it was a joke because “it’s Merlin”
Merlin: in my defence, I never lied.
Leon: you confessed to multiple crimes!
Merlin: you let me get away with them!
Arthur: huh?
Leon: Sire, I can explain.
Merlin: can you?
Leon: can you?!
I’m tempted to turn this into a fanfic if anyone would want to read it
country bumpkin merlin not knowing anything about city life and accidentally courting arthur without knowing
merlin, watching gwen give lancelot her favor: why do you do that
gwen, heart eyes at lance and not paying that much attention to the conversation: so he knows i’m rooting for him
merlin, with an Idea: ah.
gwaine, lover of chaos, pisser offer of nobles and royals alike, ultimate wingman: merlin…you have such lonely lips. shall i introduce them to mine?
merlin, unaware of the game gwaine is playing: so you can steal my breath away? i think not, scoundrel
arthur, crushing his goblet in his hand:
merlin: arthur’s been in a bad mood recently :( i should cheer him up
merlin, remembering when arthur was put out when merlin brought morgana flowers and not him: i know just the thing
merlin, bringing a bouquet of carnations, roses, and tulips and setting them on arthur’s table while he’s eating breakfast: good morning, sire
arthur, trained on flower language in hopes that one day when he was to take a queen he could woo her easily, trying not to audibly choke on his sausage as he reads merlin’s declaration of love sitting in front of him:
arthur, already knew of merlin’s magic but catching him in the act and watching merlin panic to explain himself:
merlin, Freaking: and i swear to you arthur, i have only ever used it for you. my magic is yours. my life is yours. i am yours. i would never do anything to harm you. i have protected you for years and will continue to do so at your side if you’ll have me
arthur, already believing them to be courting, desperately trying to figure out if that was a proposal for marriage or not but tired of being confused and deciding fuck it: here.
merlin, taking it: i…uh…huh?
arthur, watching merlin with hawk eyes and trying to figure out what he’s thinking and feeling: it’s my mothers sigil
merlin, confused as FUCK but is focusing on the fact that arthur is handing him something of his mother rather than a death sentence: my…my lord?
arthur, realizing that merlin didn’t know he knew about his magic and trying to comfort him while also proposing, killing two birds with one stone: i will always keep you at my side, merlin, so long as we both shall live. if you’ll allow me.
merlin, almost collapsing with relief and tearing up, smiling at arthur as if he had parted the storm clouds to allow sun to shine down on them in that moment: of course…of course, arthur. always and forever.
merlin, watching the castle staff rush this way and that: wow. this banquet must be incredibly important
sir leon the long suffering, day one ride or die, one of the original merthur shippers: banquet? merlin, this is for your wedding
merlin, overworked and exhausted: my WHAT? to WHO??
leon, regretting everything he’s ever done in his life that led him to this moment: to…arthur?
merlin, over joyed but also absolutely befuddled: i’m getting married to ARTHUR?????
leon: you two have been courting for the past year or so, have you not?
merlin: i’ve been COURTING ARTHUR?????? FOR A YEAR?????????
can i just die in your arms without you making it gay. Come on man
yet again, cardan during the exile
This is so me
Me: *enjoying any kind of Arthurian content*
Me: ugh this isn’t exactly like BBC Merlin but I guess I’ll take it
📚read this year: 56 | currently reading: The Uses of Enchantment: The Meaning and Importance of Fairy Tales by Bruno Bettelheim
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