Being A Hobbyist Writer Means Oscillating Between 'i Don’t Care If No One Reads My Work, It’s Just

This is exactly why he's my favorite fantasy character of all time.

guys do you get it when i say aragorn is the definition of the words "gentle", "love", and "beauty". not in the conventional way, but i think aragorns existence itself defines those words. the ranger in him grins, as free as the winds and you see that chaos in him and yet you also feel his quiet strength that makes him uniquely aragorn. the whimsy of the elves as estel grew up to be the man now known as aragorn. gentle as he sings to the trees, sings to his horse.... his calloused hands cradling everything with such tenderness someone might wonder how he does that when it's been hardened by years of fighting with a sword and shouldering burdens.... aragorns love at the same time is something beyond either romantic or platonic, its the type of love that you just give out to the world. love built on courage, and kindness, and faith, and hope, as what his name estel means.... and to be able to love like that..... i think is what you call a being who embodies beauty.....

I've been super obsessed with dragons recently, and it's great because I'm finally getting into worldbuilding and developing my fantasy world and the race of dragons more, but like... I have school. That I'm currently slacking off on to be able to work on dragon stuff more. So.

😌

I'M DOING AN EXPERIMENT

To prove something to a friend, please

REBLOG IF YOU THINK ASEXUALS BELONG IN LGBTQ+ SPACES

LIKE IF YOU THINK ASEXUALS DON’T BELONG IN LGBTQ+ SPACES

I saw something in the news today that truly took my breath away. If you have been paying attention to U.S. politics over the past few days, you’ve most likely seen this woman:

This is Bishop Mariann Budde, and on Monday (Trump’s inauguration) she led an interfaith prayer for Trump and the incoming administration. During the service she asked him to have mercy for LGBTQ+ Americans and undocumented immigrants. This was badly received by the Trump administration (as expected).

After seeing headlines about this woman, I read something that I wanted to share. In 1998 a man named Matthew Shepard was murdered for being gay. I’m not going to get into the details of his death on this post, but please be warned it is extremely triggering if you do choose to read more on your own. Matthew Shepard’s death caused a lot of change in the U.S. regarding how LGBTQ hate crimes are handled, and laws that were passed to protect LGBTQ+ people.

Now you’re probably wondering what Matthew Shepard has to do with an Episcopal bishop. For years after Matthew Shepard’s murder, his family had held onto his remains, too scared to lay him to rest in fear of his final resting place being vandalized. In 2018, Budde had his remains interred at the National Cathedral, which is also the place where the interfaith prayer for Trump and his administration took place. The impact of this really had an effect on me. Budde could have led a non confrontational prayer service, and chosen not to mention the harm that will come to the people Trump and his administration are going after. Instead she chose to call out hate and fear in front of some of the most powerful people on the planet, and at a place that has such a large historic meaning to the LGBTQ community.

In the next few years there will be many challenges in protecting free speech, standing up against hate, and protecting those in our communities. But I would like to believe that for every Donald Trump and Elon Musk, there are people like Marianne Budde. There are those of us who can’t speak up for themselves, so it’s important for those of us who can to amplify our voices, even if it’s not the ‘popular’ thing to do.

“And he said you should apologize. Will you apologize?

I am not going to apologize for asking for mercy for others.” - Mariann Budde’s response in a Time interview

Link to articles: x x x

Link to the Matthew Shepard Foundation if you would like to donate

Hi everyone!! My name is Artemis, I'm an ambitious, queer, aspiring writer, and I've got a heroic epic fantasy series in the works that is going to 100% be my magnum opus. I'm planning for this blog to be a mix of random personal stuff about my life, writing things (like worldbuilding stuff and relatable writer's posts), and reblogs that will also probably be entirely random, but we'll see.

I like writing (obviously), reading, playing D&D, playing video games (particulary Assassin's Creed, The Legend of Zelda, and RDR2), shopping at independent, unique stores (bookstores!!), and watching shows such as Game of Thrones, Arcane, and Heartstopper.

Anyways, follow me if you wanna eventually read my book and get attached to my epic, D&D-style, insanely queer characters that I daydream too much about, and feel free to DM me at any time if you want to know more about me, my books, or just want to chat about your latest hyperfixation; I love chatting!

Farewell and fast travels, adventurer.

I sick

PLEASE Write Your Book!

I'm serious. Please write it. If you need a sign to start, continue, or whatever is inbetween, this is it. Go do it.

I spent the past couple weeks indulging myself in some BookTok recommendations. While some were indeed good (Kings of Sin, my beloved), some were just...I don't need to finish my sentence there.

I DNF'd some books for the first time since I read Lord of the Flies (sorry Golding, you put me to sleep with your descriptions) and I powered through others in hopes that they would eventually get better. The general consensus I ended up getting was that I could not understand for the fucking life of me how these books got published. The writing in some of them was no better than that of a 2010s teen writing Maximum Ride fic on Wattpad for the first time, with the characterization abysmal enough to match.

I don't want to knock any specific author or book here, because I will concede one thing: they finished their books. They got them published. They're successful. For that, I commend them, because I'm still on my way there myself and I can't take that away from them. Jolly good show.

But that brings me to my point: if they can do it, YOU absolutely can do it too.

If some of these Amazon and NYT bestsellers can have prose on a Wattpad level with characters that have enough poorly-written cognitive dissonance to make Deadpool or Walter White jealous, your fleshed out, deeply intuitive, and remarkably creative epic can sit right alongside them no problem. Whether you're writing the next GoT or a romantic slice-of-life, there is a not a goddamn thing on this planet stopping you from rolling up with the big dogs.

If these guys can do it, so can you.

So, stop telling yourself you can't. Stop letting other people tell you you can't. Stop comparing yourself to these authors who, respectfully and bluntly, can't write for shit (or at least need to fire their fucking editors, good lord).

WRITE YOUR DAMN BOOK. PLEASE. WE NEED IT.

(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)

a list of 100+ buildings to put in your fantasy town

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family

dentist

distillery

docks

dovecot

dyer

embassy

farmer's market

fighting pit

fishmonger

fortune teller

gallows

gatehouse

general store

graveyard

greenhouses

guard post

guildhall

gymnasium

haberdashery

haunted house

hedge maze

herbalist

hospice

hospital

house for sale

inn

jail

jeweller

kindergarten

leatherworker

library

locksmith

mail courier

manor house

market

mayor's house

monastery

morgue

museum

music shop

observatory

orchard

orphanage

outhouse

paper maker

pawnshop

pet shop

potion shop

potter

printmaker

quest board

residence

restricted zone

sawmill

school

scribe

sewer entrance

sheriff's office

shrine

silversmith

spa

speakeasy

spice merchant

sports stadium

stables

street market

tailor

tannery

tavern

tax collector

tea house

temple

textile shop

theatre

thieves guild

thrift store

tinker's workshop

town crier post

town square

townhall

toy store

trinket shop

warehouse

watchtower

water mill

weaver

well

windmill

wishing well

wizard tower

In the past fifty years, fantasy’s greatest sin might be its creation of a bland, invariant, faux-Medieval European backdrop. The problem isn’t that every fantasy novel is set in the same place: pick a given book, and it probably deviates somehow. The problem is that the texture of this place gets everywhere.

What’s texture, specifically? Exactly what Elliot says: material culture. Social space. The textiles people use, the jobs they perform, the crops they harvest, the seasons they expect, even the way they construct their names. Fantasy writing doesn’t usually care much about these details, because it doesn’t usually care much about the little people – laborers, full-time mothers, sharecroppers, so on. (The last two books of Earthsea represent LeGuin’s remarkable attack on this tendency in her own writing.) So the fantasy writer defaults – fills in the tough details with the easiest available solution, and moves back to the world-saving, vengeance-seeking, intrigue-knotting narrative. Availability heuristics kick in, and we get another world of feudal serfs hunting deer and eating grains, of Western name constructions and Western social assumptions. (Husband and wife is not the universal historical norm for family structure, for instance.)

Defaulting is the root of a great many evils. Defaulting happens when we don’t think too much about something we write – a character description, a gender dynamic, a textile on display, the weave of the rug. Absent much thought, automaticity, the brain’s subsconscious autopilot, invokes the easiest available prototype – in the case of a gender dynamic, dad will read the paper, and mom will cut the protagonist’s hair. Or, in the case of worldbuilding, we default to the bland fantasy backdrop we know, and thereby reinforce it. It’s not done out of malice, but it’s still done.

The only way to fight this is by thinking about the little stuff. So: I was quite wrong. You do need to worldbuild pretty hard. Worldbuild against the grain, and worldbuild to challenge. Think about the little stuff. You don’t need to position every rain shadow and align every tectonic plate before you start your short story. But you do need to build a base of historical information that disrupts and overturns your implicit assumptions about how societies ‘ordinarily’ work, what they ‘ordinarily’ eat, who they ‘ordinarily’ sleep with. Remember that your slice of life experience is deeply atypical and selective, filtered through a particular culture with particular norms. If you stick to your easy automatic tendencies, you’ll produce sexist, racist writing – because our culture still has sexist, racist tendencies, tendencies we internalize, tendencies we can now even measure and quantify in a laboratory. And you’ll produce narrow writing, writing that generalizes a particular historical moment, its flavors and tongues, to a fantasy world that should be much broader and more varied. Don’t assume that the world you see around you, its structures and systems, is inevitable.

We... need worldbuilding by Seth Dickinson