Maria Filopoulou (Greek, 1964) - The Greenhouse (1996)

Maria Filopoulou (Greek, 1964) - The Greenhouse (1996)

Maria Filopoulou (Greek, 1964) - The Greenhouse (1996)

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More Posts from Applesforthis and Others

3 months ago
Ralph Fleck (German, 1951), Stapel 27/VII [Stack 27/VII], 2013. Oil On Canvas, 120 X 100 Cm.

Ralph Fleck (German, 1951), Stapel 27/VII [Stack 27/VII], 2013. Oil on canvas, 120 x 100 cm.


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3 months ago
Nikolai Dubovskoy - Silence, 1890

Nikolai Dubovskoy - Silence, 1890


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1 year ago

last night my partner held a somber little passover seder to show me what it’s about and when they got to the part where they were supposed to open the door for elijah they paused, frowned, and said “oh. huh. there is a clown.” and I looked out. and sure enough. there was a clown.


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6 months ago
Mogens Trolle, Photographer

Mogens Trolle, photographer

Proboscis monkey, Borneo (July 2018)


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1 month ago
Jesse Zao (Chinese, 2000) - Untitled (2024)

Jesse Zao (Chinese, 2000) - Untitled (2024)


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2 months ago

Oh my god. I finally realized what this reminds me of. It's opera.

There’s something uniquely perverse about cruelty performed by people who will never experience the consequences of their own ideology. Unlike the Somali pirates or the Taliban—groups operating in extreme conditions, driven by survival, ideology, or desperation—the architects of modern American cruelty live in comfort. They do not suffer. They are not struggling for food or security. And yet, they choose cruelty, not as a necessity, but as a luxury.  This is performative suffering, an aesthetic of toughness projected by people who have never known real hardship. It’s the lawmakers who gut welfare programs while vacationing in gated resorts. It’s the TV pundits who sneer at working-class struggles from air-conditioned studios. It’s bureaucrats who deny migrants soap and toothpaste—not out of logistical necessity, but because cruelty itself is a flex, a demonstration of power detached from material reality.  It has no greater purpose beyond LOOKING ruthless. It is the political equivalent of posing in tactical gear without ever seeing combat, of calling for war from the safety of a country club. It is not the brutality of warriors or the desperation of insurgents. It is the decadence of empire—violence for the sake of self-image, cruelty as a luxury good.

Bro absolutely COOKED with this.


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2 months ago
Some Closeups Of The Best Graffiti I've Ever Seen
Some Closeups Of The Best Graffiti I've Ever Seen

Some closeups of the best graffiti I've ever seen


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2 months ago
A black ballpoint sketch of a wingless griffon based on a mute swan and a ferret type back half

Pushing the definition somewhat but still a griffon imo

-3012


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applesforthis - You can't get there from here
You can't get there from here

Fannish things, writing, other stuff. Often NSFW. My pronouns are they/them.

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